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To the bottled reptiles in the school’s laboratory and Broken piano in his mansion’s basement He talks Hoping these will applaud him For his witty mouth Or at least acknowledge his existence But gets silence Frustrating like his mother’s loud snores. Every evening he talks to the pond Opposite his mansion And it talks back in his vernacular. The pond is a substance of concrete reliance, Unlike powerful stone gods in shrines Pretending to be powerless. That’s his peace, his secret Which he once opened before his parents Consumed by the horror film In the comforting safety of the living room As if it’s their first lovemaking.
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